Sunday 9 February 2020

FEDPOFFA takes SEX4GRADE Campaign to #NIPOGA2020

The Nigeria polytechnic games Association (NIPOGA) has acknowledged The Federal Polytechnic, Offa for taking a lead row in campaigning against sex for grade (SEX4GRADE) which has remain a dominant parasite eating the Nigeria Education system.


The FEDPOFFA Sports Team was flanked by a special campaign team while featuring in the NIPOGA 2020 hosted by Kwara State Polytechnic, Ilorin.



The 'No to SEX4GRADE Team' matched round the Stadium with the banner and vest while chanting "Work for your grades and" say no to sex for grade".


The team was led by The HOD Mass Communication Department, Mr Wole Alawode, Campaign supervisor, Mr Mujeeb Zakariyau and Jimoh Taofik Adekunle, the Campaign Cordinator. 



According to the team, sex for grade is a major challenge facing Nigerian Education expecially at the tertiary level, thus making a dire calls on government and other stakeholders in Academia to embrace and walk the campaign in a bid to restore sanctity.


Expliciting that both students and lecturers are to be oriented if the menace would be annihilated, the group is optimistic that a New Dawn is impending, when effect of the campaign will begin to manifest.


Meanwhile, Kwara state commissioner for Tertiary institutions, Science and Technology, Hajia Sadatu Kawu Appreciated the Fedpoffa campaign team and promised that the state government will strategize on how to give the campaign a wider audience.


#NIPOGA2020 opening ceremony was graced by Kwara State deputy governor, Mr Kayode Alabi, Emir of Ilorin, Alhaji Ibrahim Sulugambari, Rector, Federal Polytechnic Offa Dr Abdullateef Olatunji among other dignitaries across the country.

(c) Jamiu Omoniyi General Jamo

Saturday 1 February 2020

Give Academia All It Takes

The journey of a thousand mile, begins with a single step, I welcome you all to the university community - the great citadel of learning. Do you know that thousands of people also applied for the same course you applied for? Are you aware that student like you also struggle to get admitted? But fate turns opposite.. Are you aware of your privilege? If you don't know that before, I think it's important you be aware that you are already in a position that could have belonged to some applicants like you. Think of your privilege as non-free as you made it to another world.

A university community is another world; where you meet different people of different cultures, religions and talents but your ability to give your best will earn you the best results, because your learning ability determines your earning capacity.

Moreover, remember as you are leaving house, your friends, parents and the entire family that voiced advices to your head, in order to always echo your heart - to be of good student and to also know who you are. But have you asked yourself this question; "How will I achieve academic success in the university?"

It is not easy but setting of goals will make it easy. In your first year, try and get higher grade because the more you go up, the tougher it becomes. Remember, _the secret of success is being committed to life long learning.

To wrap it all, as a new student, try and read what you have been taught after each class session before your notes get bulky and ask questions when the lecture is going on if you don't understand any concept. In addition, we all are different in terms of assimilation, whenever you feel that you understand a particular course or some concepts in a particular course very much, try and share that knowledge to your colleagues because for true mastery - you need to focus more on outputs, rather than inputs. Lastly, always keep it at the string of your heart that the best way to learn something, is to be a teacher. I wish you success!

(c) By BELLO, Idris Opeyemi

BELLO Idris Opeyemi is a Student of Ahamdu Bello University, Zaria and can be reached via;
belloidris6@gmail.com

Friday 24 January 2020

Robert Powell and the Jesus Crux

Meet Robert Powell the man who acted as Jesus of Nazareth.
In the 1979 Jesus movie, the first movie that was filmed and framed to tell the story of Jesus according to the gospel of Luke. The movie was directed by Peter Sykes, John Kisch etc.
Robert Powell played the role of Jesus Christ.

Today it is not uncommon to see people hanging Robert Powell's picture in their
house, car, shop, church etc. Some even put it in their private family altars and other places of warship to the extent that Robert Powell's picture has now been mistakenly taken as something that can protect one from evil where as it cannot.
Robert was born on 1,June,1944 (age 71)He is English television and film actor.

He attended University of Salford, Manchester Grammar School, and University of Manchester respectively.
He said: "I am not Jesus Christ,I am just an actor and a British comedian,I (am) hurt and tried of seeing my photos displayed in places of worship and others worship and pray to me.I just made a movie for a living,so people should stop loving and praying to me. Burn my pictures and worship the only God in truth! Ameen."

He has acted in a series of movies like: Holby City (1999),The Detectives (1993-1997),The Thirty Nine Steps (1978),Tommy (1975),Harlequin (1980),Mahler (1974),Hannay (1988 – 1989) amidst others.

His most profilic movie is Jesus Of Nazareth (1977)
I know some people will say it served as a reminder but i tell u that u don't need a picture of Robert Powell to remind you of Jesus as no Moslem can show u the picture of Mohammed (whose case is closer (1400),not to talk of Jesus Christ of more than 2000 years ago), yet they respect him and do not need to be reminded by another person picture.

Same with Buddah's followers, they don't have another person picture to remind them of Buddah,the same goes with zoroasters.

Even the new generation don't even know that the face they see is not the true picture of Jesus but that of Robert Powell.
This 'Jesus' Powell is married to Babs Powell, has children (Kate Powell, Barney Powell) and Parents: Kathleen Davis Powell, John Wilson Powell (is that not too absurd?)

(c) Jimoh Taofik Adekunle
Jimson Jaat Taofik 
The MAD Writer: Pen Priest
Facebook: Jimoh Taofik Adekunle
Twitter: @jimsonjaat01
Gmail:deskofinsanity96@gmail.com

When I Die (Death Notes)

When I breath my last, let no dirge be sung. When I'm pronounced dead, let no lamentation be done. Let no generous Jeremiahs turn jeremiad upon my corpse. Let no singers sing-sung my praises. I say, when I die, speak no ill of me; for I was but bones and flesh; I lived the way I knew best.
When I die, bury me with a thousand books. And surplus of pen; full of semen. When I breathe the last, interred me with books found around. When I die, let no eyes-water be shed; for I owe nobody tears.
No mourning; I only die here to continue in another realm. Here short, thereafter longer. Jaat lives forever. When I die, be happy for me; for I will see Mother soon. That is the greatest bliss....
Ko ye won, yio ye won....When I die, no tears for me. I stare Malaikul-Mawti in the eyes; he looks with cold stares. "How very 'lucky' he is; there's no 365 and half days he didn't escape death at least thrice", they say of me. Ay! Have escaped Death surplus times. I heard Babble of the heavenly congregation, without behold them. I flirt with the Agent, without feast....Pity me not...Asarail and myself have been as close as door and wall...Ko ye won...ko ye won.
When I grasp the last...escort me not with tears, for By deserve none. I know what parts of my body has incurred while active. I shall be judged accordingly. Your tears are no effect...ko ye won...ko ye won...
I say, I hang not in purgatory; I'm behold the place. Nor would I be in the Dark Market behind God's backyard. Only the dead patronise it, only the spiritual winged-beings (terrestrial birds) flock the market.
When I die, clad me islamically, for Allah owns me....I afraid not of Death. Oh, I say I braven my heart against the pains after which they are no more. I only fear where my handiworks would lead me eventually to: Bliss of pleasures or fury of fires.
When I die, mock me not, for Death is the natural doom of all mortals. Mother Earth will miss me not, it's only one person less.

(c) Jimoh Taofik Adekunle 
Jimson Jaat Taofik 
The MAD Writer: Pen Priest 
Facebook: Jimoh Taofik Adekunle 
Twitter: @jimsonjaat01 
Gmail: deskofinsanity96@gmail.com 
April 7, 2019 

Saturday 11 January 2020

Metamorphosis of King Wasiu Ayinde (K1)

Circumstance took the young man Wasiu Ayinde to the musical group of the late Sikiru Ayinde Barrister as an instrument 'packer'; in 1974 Barrister went on a trip to England and the whole band had to wait for him. This event inspired Wasiu to resolved to start his own musical band. He did his first album titled Iba (Tribute) in 1980; but it wasn't a hit. K1 released his landmark hit album,TALAZO'84 in 1984, in which he sang, 'adundun ma du lo re ba ngbe re wa o (2x) orin ti mo nko o ko Adewale o o, adundun ma du lo re ba ngbe re wa.' TALAZO was followed by other hits in quick succession like Dance For Me, American Tips, Fuji Collections, The Ultimate, Consolidation, History, Statement,etc.
  Prince Wasiu Adewale Omogbolahan Ayinde Olasunkanmi Anifowoshe (born on the 3rd of March,1957) of the Fidipote Ruling house of Ijebu-Ode has become an household name in Fuji music. He stage name was Wasiu Ayinde Barrister, later changed to Marshal The Ultimate, KWAM 1, and later K1.
  A secondary school drop out,due to untimely demise of his father, K1 employed a UK-trained, London-based Management consultant, Dayo Adekunle Olomu of D.O & Associates as his Manager. This contributed to increasement in his music acceptability across different strata of the Nigerian social established.
  "Also, it is to K1's credit that Fuji music was rescued from the effect of Juju music with the sterling performances of the likes of King Sunny Ade, Ebenezer Obey and Shina Peters who introduced Afro Juju through his hit record 'ACE' in 1989 which made modernisation and re-launchhing of Fuji music an imperative if it was not to go into extinction. K1 responded to fill that gap by releasing the first real fast-track Fuji album titled 'American Tips' in 1990 which marked a significant turning point for Fuji music as Fuji from then on expanded its frontiers to become the toast of many more educated Nigerians both at home and in the Diaspora who practically abandoned Disco to identify more with K1's new brand of modern Fuji."
 All hails K1, the widely acclaimed King of Fuji!

(c) Jimoh Taofik Adekunle
Jimson Jaat Taofik
Facebook: Jimoh Taofik Adekunle
Twitter: @jimsonjaat01
Gmail: deskofinsanity96@gmail.com
Phone: 08144510532
MAY 17, 2017

Thursday 9 January 2020

Oshoala crowns African Footballer of the year

Oshoala was announced the winner of the category at the CAF Awards 2020 which was held on Tuesday, January 7, 2020.

The Nigeria international beat Ajara Nchout of Cameroon and Thembi Kgatlana of South Africa.

Gabrielle Onguene and Ajara Nchout of Cameroon, South African star Thembi Kgatlana and Tabitha Chawinga of Malawi.

Oshoala grabbed Africa’s best player award after a year in Barcelona where she joined first on loan before signing a permanent contract.

She impressed for Barcelona Femení and became the first African to score in the UEFA Women’s Champions League final.

The 25-year-old in 2019 scored a goal at the 2019 FIFA Women’s World Cup to help Nigeria reach the knockout stages for the first time in 20 years.

Oshoala has now won this award four times equaling the record for the most wins which was held by Nigerian legend Perpetua Nkwocha.

Wednesday 8 January 2020

Osun, Where Technocracy Propels Democracy

Democracy, as we all know, is a form of government in which people choose leaders by voting. Democracy as a system of government has gained wide adoption by many nations of the world because of its inherent doctrine of egalitarianism, equality and human rights. For this, it's always described as government of the people, by the people and for the people.

It is a government of the people because the power of who becomes what resides with the people. It's a government by the people because government officials are elected members from among the people (not from the military, and so on). It's a government for the people simply because it is meant to serve the people, who have rights to prod the elected government officials on accountability and stewardship.

Never, democracy as a system of government can not drive itself. It's driven by government machineries, who are elected members of society. The personality of these 'machineries' — a combination of emotional qualities, perception, orientation, experience, capability and behaviour — determines the extent to which 'democratic doctrines' or dividends are allowed to function in a polity. 

Emotional qualities, perception, orientation, experience, capability and behaviour, as elements of 'political personality', go a long way in government administration and political discourse. 

There is a dissimilarity, for instance, between a politician, who in his worldview, perceives politics as a 'business' and another, who in his opinion, takes politics as a 'service'. 

Similarly, a society that's governed by technocracy or meritocracy would overtly be different in functionality and performance from the one that's governed by quackery or mediocrity. 

It would be wrong therefore, to examine the functionality or performance of a government without examining the personality of the machinery of that government. In this piece, I take the personality of the machinery of the State of Osun government as a study.

The principal machinery (the main mover and shaker) of the State of Osun government is Mr. Isiaka Adegboyega Oyetola, the incumbent governor of the State. 

Using the above yardsticks, this piece briefly x-rays the personality of the Governor. 

On emotional quality as an element of personality, Governor Adegboyega Oyetola is reckoned as an excellent emotion manager. Like I wrote in one of my previous articles entitled _"Between Supplication and Worship: Oyetola Example"_, the piece commended the governor for his maintenance of 'equilibrium and emotional calmness' between Mr. Oyetola (before voted into power) and Governor Oyetola (after assumption of power). 

The orientation of the governor is evidenced in his perception of politics and governance as a service to humanity. His egalitarian, selfless and quality service delivery corroborates this position.   
   
As an excellent emotion manager, Mr. Oyetola is a well-behaved person, whose calmness, gentility and liberalism are likened to the doves.  

In the area of experience, Mr. Oyetola has garnered more experience as a technocrat in the private sector than in politics. And technocracy, according to Merriam-Webster dictionary, is defined as a system in which people with a lot of knowledge about science or technology control a society. 

Oyetola's technocracy is what obviously continues to propel the State's democratic practice, as clearly demonstrated by the governor's capability.

From my over three decades knowledge of Mr. Isiaka, I have known him to be a silent achiever then in the private sector, and now in the public as governor. He has actually recorded many more great strides in the development of Osun than he makes noise about. 

Some of the giant strides recorded by this silent achiever within just twelve months of governance, eight out of which constituted a retrogressive distraction by post election litigation are highlighted below.

In the area of welfare and social Intervention, the following have been achieved by Oyetola led government:
— Prompt payment of *full* salaries of workers;
— Disbursement of over N1.13 billion to State retirees and prompt payment of their pensions;
— Recruitment of 20,000 cadets for the Osun Youth Empowerment Scheme, OYES, which has greatly reduced unemployment in the State;
— Recruitment of 2, 210 food vendors engaged to feed Osun pupils in elementary schools; and
— Continuous provision of free train ride during festive periods for Osun indigenes resident in Lagos and its environs, among others. 

These are the successes attained in the infrastructure:
— Building of eleven service stations and provision of fire fighting vehicles in all the nine federal constituencies of the State;
— Opening of new and rehabilitation of existing rural roads for farmers' and farm produce access across the State; and
— Construction and rehabilitation of township roads across the State, among other great strides. 

In education sector, these are the strides: 
— Provision of boreholes at 9 public elementary/middles schools;
— Erection of fence in 30 government elementary/middle schools for security and protection of pupils and government properties; and
— Provision of 967 furniture equipments for 967 teachers in elementary public schools in the State, among others. 

The following achievements have been recorded in the Health Sector:
— Rejuvenation and revitalization of 332 primary health centres in each of the 332 political wards in the State; 
— Overhauling of 9 general hospitals across the State; 
— Provision of modern equipments in the hospitals; and 
— Provision of drugs in all the rehabilitated health centres, among others. 

Oyetola has introduced some reforms in the finance sector, and these include:
— Adherence to the usage of Treasury Single Account, TSA, policy; 
— Statutory incorporation of the State tertiary institutions into the TSA; 
— Implementation and usage of the Bank Accounts Monitoring System, BAMS, for monitoring and tracking of government transactions;
— Closure of all non-TSA adherent and incorporated accounts in the State; and 
— Eligible status carrier of 'State Fiscal Transparency and Accountability', a programme of the World Bank, among other reforms. 

The list goes on and on. It's surprising that a State with the lowest federal revenue allocation, which had over 53% of its grossly inadequate revenue deducted for debts (incurred by previous governments) repayment from its monthly federal allocation as released by Federation Account Allocation Committee, FAAC, between January and November 2019 (and this still continues), could still record the aforementioned successes within the short frame of time.


Jimoh Olorede, a Mass Communication lecturer and researcher writes in from academia.

KNOWLEDGE - KNOW ALL EDGE

A little entity of people actually know, and or care to know how much 'drills' a knowledgeable fellow went through when swimming in books; they only look in wonderment as an intellect rolls out hells of vocabulary and heavens of details. Little do they know that those details he rolls out were taken in bit by bit in page by page.

Knowledgeable fellows know what it was, what is it, what it has been, what it may be, or likely forever to be. Hence, to me knowledge is staying update to events as they keep unfolding. Knowledge is being saddled with enough details that make you distinguish and excel. Knowledgeable fellows know what the present things were before they got to this stage.

However, they are always criticise, discriminate and 'oppressed.' The truth is, 'Great minds are always feared by lesser minds.'

Lesser or average minds are afraid of dominance by the great minds. They feel intimidated around them,why wouldnt they be when the guys keep bombasting them with unending details. Also Jelousy is a factor.

But, when knowledge actually 'en-shine' its fellows, such fellows become 'our child!'

I agree that Knowledge is too much a detail, yet people in it dont have two or more heads. It only require sacrifice (Sacra- sacred Face- make). Do I need to suffocate you with names?

Even Aleister Crowler, whom the Church had deemed 'the most evil man to ever lived' was a knowledgeable fellow!

+ " To live in the world without becoming aware of the meaning of the world is like wondering about in a great library, without touching the books......We fear what we dont understand." - Dan Brown

+ " Great minds are always feared by lesser minds, there is a shadow universe beyond this one... A world from which I can draw powers.." - Aleister Crowler - a visionary mystic from early 1900s.

By: Jimson Jaat Taofik
Facebook: Jimoh Taofik Adekunle
Phone: 08144510532
Email: Deskofinsanity96@gmail.com
Apr 3, 2016

Tuesday 7 January 2020

A Peep Into Yoruba Mythologies

Just like any other tribe of mankind the Yorùbá had fomulated their philosophies based on observations and experiences with natural (physical) and metalphysical phenomena. 

What is notably lacked is merely documentation because Yorùbá didn't know the art of writing. 

There are no hiccups about God's Divinity and monotheism. In face the Yorùbá believes they are monotheistic in belief. 

However, HE is too grand to approach so they formed gods as 'staircase' to reach HIS Holiness. And do they form gods? Apotheosis. 

What's apotheosis? Dan Brown gives an extensive explaination of the phenomenon thus:

"The largest painting in US Capitol building is called 'The Apotheosis of Washington'. And it clearly depicts George Washington being transformed into a god. 

"This transformation of man into God is called apotheosis. Whether or not aware of it, this theme—transforming man into god—is the core element in this Rotunda’s symbolism. Apotheosis. Yes. He knows. “The word apotheosis literally means ‘divine transformation’—that of man becoming God. It’s from the ancient Greek: apo—‘to become,’ theos—‘god.’
"The Apotheosis of Washington—a 4,664-square-foot fresco that covers the canopy of the Capitol Rotunda—was completed in 1865 by Constantino Brumidi. Known as “The Michelangelo of the Capitol,” Brumidi had laid claim to the Capitol Rotunda in the same way Michelangelo had laid claim to the Sistine Chapel, by painting a fresco on the room’s most lofty canvas—the ceiling. Like Michelangelo, Brumidi had done some of his finest work inside the Vatican. Brumidi, however, immigrated to America in 1852, abandoning God’s largest shrine in favor of a new shrine, the U.S. Capitol, which now glistened with examples of his mastery—from the trompe l’oeil of the Brumidi Corridors to the frieze ceiling of the Vice President’s Room. And yet it was the enormous image hovering above the Capitol Rotunda that most historians considered to be Brumidi’s masterwork.

"This transformation of man into God is called apotheosis. Whether or not aware of it, this theme—transforming man into god—is the core element in this Rotunda’s symbolism. Apotheosis. Yes. He knows. “The word apotheosis literally means ‘divine transformation’—that of man becoming God. It’s from the ancient Greek: apo—‘to become,’ theos—‘god.’

"Nearby, you can see a strange, anachronistic series of figures: ancient gods presenting forefathers with advanced knowledge. There’s Minerva giving technological inspiration to our nation’s great inventors—Ben Franklin, Robert Fulton, Samuel Morse. And over there is Vulcan helping us build a steam engine. Beside them is Neptune demonstrating how to lay the transatlantic cable. Beside that is Ceres, goddess of grain and root of our word cereal; she’s sitting on the McCormick reaper, the farming breakthrough that enabled this country to become a world leader in food production. The painting quite overtly portrays American forefathers receiving great wisdom from the gods."

Take some time off to read stories of Ogun, Ọṣùn, Ọba, Ọya, Sango, Sanponna, Ọ̀runmìlà, etc. You will realise they were humans. Flesh, blood and bones. They lived normal human lives before they were deified. (Check my writeup, IRE-ÈKÌTÌ: FULL STORY OF ÒGÚN, YORÙBÁ GOD OF WAR for the full story of Ogun and that of Ọ̀yọ́ for excerpts on lives of Ogun, Sango and Ọya). 

On the same vein, Yorùbá made notes of some phenomenal; acts, creations, manners. For examples:

- Lẹyin lẹ́yìn ni èwe Olóbe ń so - Olóbe bears fruits behind leaves. 
- Atọlẹdọlẹ ni ti Àdán - Bats are mysterously in folds. This means, when a bat is cut another bat would be found in its belly and if that one is cut another one would be found. 

Also worth of note is the Rule of Firsts. In Yorùbá mythology, there are mention of the firsts; first persons to do some things. Olubikin was the first to use pluck leaves (for medication), Ọsanyinbikin was the first to use roots for same purpose, Arọnimaja (praised as 'Arọni gbọnra jìgì dẹrú oògùn nu') was the first to thrust an herbalist in dare, Abikú ọmọ Olóṣèerena was the first person to slap a mosquerade in the face..... (Ọsanyinbikin and Olubikin are said to be among the 16 elders that stand 4-4 at the four cardinal corners of the World). 

These are woven together to make incantations, idioms, proverbs, etc. You just need to listen well whenever the aforementioned are being recited. And you will find that they were genuinely formed courtesy of genius observations. 

However, when the conflicting personae are These are used as occultic questions when incantations are exhausted. These questions are used in three (3) ways: to seek and or grant permission, to test knowledge in cultism and conquer opposition. For the example of the first two, please read my submission, 'OGBONI FRATERNITY, ALL THAT IS IN SECRECY'. 

Amongst related questions are:

- Q: Olubikin was the first to use pluck leaves (for medication), Ọsanyinbikin was the first to use roots for same purpose, Arọnimaja (praised as 'Arọni gbọnra jìgì dẹrú oògùn nu') was the first to thrust an herbalist in dare, which grounding stone was used? 

A: The grounding stone was brought by Arọnimaja. He picked it from God's backyard and returned it there. He himself died at God's backyard and was buried there. He was buried where he died. 

- Q: Tááni onílé (who is the owner of the House)?
A: (It’s Ọ̀runmila. He swallowed House from Heavens and vomited the house when he got to the earth. Ifá the Oracle is the owner of the house) . Alapo ìjà. Ó gbé ilé mi láti ọrùn, ó pọ nígbà tí ó dé àiyè. Ifá ni onílé. 

- Q: Who owns the outside? 
A: It’s Ògún, Yorùbá God of War and Iron. Làákàyè to bá ọkọ sì ojú iná to pá ìyàwó ẹ sì ẹyin ààrò (he killed the husband on the burning embers and the wife on beside the traditional three-stone kitchen) 

- Q: Who is the owner of children? 
A: It’s the witches. Àwọn ìyá mi ni Ọlọ́mọ. The earthly mothers that used bands to hold children so they shouldnt fall. They used bands to back children without letting the child touch the ground.

Q: Tááni ọlọja (who are the owners of market?)
A: It’s Ajé, Yorùbá goddess of Wealth. Obìnrin kẹ́tẹ́pẹ́ to rídì jókòó ọjà. Iṣẹ̀ṣẹ̀de obìnrin Inajá. Ajé ni Ọlọja.

Q: How many are warlords in Earth and Heaven?
A: Five. Their names Ọmọlaárọ, Ẹ̀ka Orosun, Ajákúnna, Ọlánùurẹ wọlẹ and Idàkọ tíì gùn ọmọ lẹsẹ.

Q: How many are World holders?
A: They are 16. And they stand 4-4 in the 4 Cardinal Corners of the world.

Q: Who are blacksmiths of the world and heaven?
A: Kọbawo, also known as Láàni is the heavenly blacksmith and Ogun is the worldly blacksmith.

(c) Jimoh Taofik Adekunle
Jimson Jaat Taofik
Facebook: Jimoh Taofik Adekunle
Twitter: @jimsonjaat01
Gmail: deskofinsanity96@gmail.com
Phone: 08144510532

Saturday 4 January 2020

Characterisation of Olusegun Obasanjo

Chief Mathew Aremu Okikiolakan Olusegun Obasanjo is the most controversial of all Presidents Nigeria ever had, more outspoken and his views are respected and criticised by fans and foes; his outburst has always generated fuss.

Account of real age is in the realm of conjecture. By his own account, he was born on a market day, either in his village of Ibogun-Olaogun,or Owu Kingdom in Ogu State. Well, that was never his fault,but that of his illiterate parents. OBJ, as he is fondly called, has self-claimed that he ended the Nigeria civil war, in his book, 'My Command.' Though the claim is highly refuted by his comrades-in-arms.

Oh, I forgot to mention that he is an author, he also authored 'Not My Will.' Those are his books I know.

Obasanjo has become President of Nigeria, twice, and with luck too! He may have been killed under Abacha administration, when he was roped in a phantom coup, if the activist-doctor, the late Beko Ransome-Kuti had not alerted the world. Escaping death at so close a range,he got nominated as the presidential aspirant of the newly formed PDP, so his case was 'from prison to presidency!.' He became the greatest beneficiary of the party. "with little investment of effort compared to his peers,Obasanjo is always absent when hard work is required,but equally present whenever the work is done,not as a party to, but as a sole beneficiary of results."

Earlier in his militia life, in 1975 precisely, he was not visibly involved in the coup that ousted the then military Head of State,Gen. Yakubu Gowon, Obj emerged as second-in-command to his successor, Gen. Murtala Mohammed. Following Muritala's assasination,Obasanjo, who was allegedly in hiding, surfaced and was made the Head of State!
Again.

Obasanjo also sought for global fame. But,his bid for Secretary-General of the United Nations was scuttled by home critics. At the forefront of the campaign against his aspiration was the Nobel Laureate, Prof. Wole Soyinka,who said that,judging by the abysmal human right record of his administration,he was unfit for the global assignment. I guess, that amidst other things explains why the two are never friends. Till date.

After handling over power as the Head of State, he started writing books which were described as controversial. When successive military regimes erred,he whipped them into line. For example, he criticised the prolonged detention of former military Head of State General Muhammadu Buhari and his deputy, Tunde Idiagbon, by Ibrahim Babangida.

He mocked Awolowo for not becoming the President. He described Azikwe as a national figure who regressed to a local chief, he titled him the Owelle of Onitsha. He dismissed Waziri Ibrahim as an unserious politician. He chided Kano as a serial prostester,who may inadvertently carry placard against himself.

Well, behind all these dramas of life, I believe that the Balogun of Owu and Ekerin of Egbaland is an interesting character.

(c) Jimoh Taofik Adekunle
Jimson Jaat Taofik
Facebook: Jimoh Taofik Adekunle
Twitter: @jimsonjaat01
Gmail: deskofinsanity96@gmail.com
Phone: 08144510532

Wole Soyinka, The Myth, The Man And The Legacy

A question looming my mind is, what am I - who was born ten year after he was awarded Nobel Prize for Literature - going to write worthy about venerable Kongi?

He is a man whose life, and works, will forever be relevant to human race.

A literary critic, commentator once said, "if ever there was most studied man in Africa,it would be Wole Soyinka." Kongi, Wole Soyinka, or WS (antonomasia for William Shakespear - as their both names share the same first alphabets) refers to no other than Professor Oluwole Akinwande Soyinka.

It is agreed that there are seven Ogun, or in biblical language,there are seven Ogun in one. That can be said of this African dramatist, novel
ist, poet, musician, actor, literary theorist, essayist. That complete, what of Soyinka the political activist, and also the family man, as aforementioned adjectives describe his literary realm only.

Its still remain a question that what would African literature could have been without his virtuoso skills and bravura inputs? This is a man who battled battles and exceled amidst African writers of then,which includes; J.P Clark, Peter Abrahams, Keneth Kaunda, Bola Ige to mention but a few. What of professor of the English language,Professor Achebe, his twin brother.

I emphasis,this is a man who was 'courageous against tyranny' (he disobeyed a direct order of destruction when he was a British soldier; its part 2 were his ordeals during two military regimes in Nigeria),who 'paradox shapes his artistic form,' who is 'steadfast,committed to lofty ideas.

He choose to use knowledge gained through acquisition of Western education without qualms, guilt or apologies.

A traditionalist, he is a displine to his patron deity Ogun. Fẹmi Osofisan said that Soyinka does not just have Ogun as his patron deity, he is himself Ogun incarnate.

THE WORK 

" Lakunle: Why do I stay upon what they say?
I have faith. Faith. Because I have faith.
Oh my Sidi,vow to me your undying love.
And I will scorn the jibes of these bush minds
Who knows no better.
Swear,my woman, swear you will be my wife,and I will stand against the earth ,the heaven and the nine Hells...."
(Lion and the Jewel}

"One other thing I want to briefly point out in this short tribute is the sheer quality of imagination and complexity in Soyinka's works, be they plays, poetry, prose, essays, or theoretical speculations. Lazy critics and those ideologically opposed to Soyinka were in the habit of accusing him of obscrantism,by which they meant he is difficult.' Yes, Soyinka is difficult, I always retorted,but grappling with him is always rewarded with something akin to great discovery at the end - there is always recommend to students to first of all immerse themselves in Soyinka's language before look for anything like meaning in his work.

"He is outstandingly engaged in the three genres of literature - prose, drama and poetry. Anybody with a faint idea of literary scholarship knows full well that writing spectacularly in the three genres of literature as Soyinka has done is no mean achievement. It shows the deep to engagingly navigate all the genres of literature at the creative level and at the same time be actively involved in literary theorising and criticism. "There is no doubt that in spite of whatever negative criticisms heaped on Soyinka's works by critics of African literature, his involvement in the displine has changed the contours of our literature in fundamental ways and given it a stamp of authority."

As studious,or as knowledgeable as Wole Soyinka seem to be Nigerian, nay,African's simile for the Nobel Laureate.

- He is a cousin to the king of Afropop, Fela Anikulapo Kuti
- He was once a soldier
- He is an Octogenarian
- His first play (The Invention) was written in 1957, when he was 23
- He was jailed for 22 months in the days of General Yakubu Gowon (experience documented in his book,The Man Died
- He was declared wanted by General Sani Abasha.

Inspired by Poetess Maryanna Iyere Ehimen 


(c) Jimoh Taofik Adekunle
Jimson Jaat Taofik
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